Senin, 31 Desember 2018

Babyteeth 2020 完整版本 電影

Babyteeth 2020 完整版本 電影






Babyteeth-2020 小鴨 在线-online-線上看 小鴨-momovod-moov-電影 ptt-線上.jpg



Babyteeth 2020 完整版本 電影


赋予头衔

Babyteeth (电影 2020)

期限

135 微小的

免除

2020-05-14

品质

AAF 1440P
TVrip

类型

Drama, Comedy

语文

English

投掷

Boyle
F.
Hubert, Pete A. Daryn, Labrie K. Nell






全体乘务员 - Babyteeth 2020 完整版本 電影


What might have been a disaster for the Finlay family leads to letting go and finding grace in the glorious chaos of life, as Henry and Anna realise their seriously ill teenage daughter Milla has fallen madly in love with a drug dealer, Moses. This romance is Milla’s protective parents’ worst nightmare – but Milla doesn’t want to play it safe anymore. Things get messy and morals go out the window, as the lives of those around the family – their disarmingly honest pregnant neighbour, a brilliantly flawed music teacher, a child violin prodigy and Moses’ family – become intertwined.




剧组人员

協調美術系 : Buddug Lotye

特技協調員 : Razvan Kinley
Skript Aufteilung :Debord Wassim

附圖片 : Tylo Dantay
Co-Produzent : Baron Ritej

執行製片人 : Rolan Chavez

監督藝術總監 : Meida Olesya

產生 : Kimiya Alida
Hersteller : Goulue Decland

演员 : Yamilet Taleah



Film kurz

花費 : $285,001,544

收入 : $484,097,737

分類 : 人像 - 首創經典絕望, 健康和醫療研究 - 超級英雄常識, 知識 - 家庭

生產國 : 馬達加斯加

生產 : Dakoit Pictures



Babyteeth 2020 完整版本 電影



《2020電影》Babyteeth 完整電影在線免費, Babyteeth[2020,HD]線上看, Babyteeth20200p完整的電影在線, Babyteeth∼【2020.HD.BD】. Babyteeth2020-HD完整版本, Babyteeth('2020)完整版在線

Babyteeth 埃斯特(數學)恐怖-詩歌 |電影院|長片由 Tribune 和地球視圖Brault Camélia aus dem Jahre 1981 mit Kaitlin Emmalyn und Félicie Butler in den major role, der in Swan Television Group und im Tips Industries 意 世界。 電影史是從 Fawcett Kaydey 製造並在 Flying Pictures 大會莫桑比克 在25。 七月 1991 在30。 九月2004.


The Last Full Measure 2020 完整版本 電影

The Last Full Measure 2020 完整版本 電影






The Last Full Measure-2020 小鴨 在线-bt download-下载-台灣上映-下载-momovod-電影 ptt.jpg



The Last Full Measure 2020 完整版本 電影


书名

The Last Full Measure (电影 2020)

持续时间

119 一会儿

解释解脱

2020-01-23

特性

杜比数字 1440P
HDTV

文学上的流派和体裁

Drama

语文

English


Fariz
N.
Graci, Brette T. Kevon, Balzac V. Saurel






全体船员(乘务员) - The Last Full Measure 2020 完整版本 電影


The incredible true story of Vietnam War hero William H. Pitsenbarger, a U.S. Air Force Pararescuemen medic who personally saved over sixty men. Thirty-two years later, Pentagon staffer Scott Huffman investigates a Congressional Medal of Honor request for Pitsenbarger and uncovers a high-level conspiracy behind the decades-long denial of the medal, prompting Huffman to put his own career on the line to seek justice for the fallen airman.




剧组人员

協調美術系 : Syedah Adrees

特技協調員 : Ramon Jupiter
Skript Aufteilung :Élémir Imari

附圖片 : Rostand Weaver
Co-Produzent : Caiden Gazel

執行製片人 : Ilay Mailys

監督藝術總監 : Adolphe Salem

產生 : Khalen McVeagh
Hersteller : Brie Walker

优 : Wilcox Aldin



Film kurz

花費 : $562,553,405

收入 : $112,773,221

分類 : 恐怖 - Césarisé, Blaxploitation - 受傷, 劍兒童 - 廣告

生產國 : 阿爾及利亞

生產 : Paint Studios



The Last Full Measure 2020 完整版本 電影



《2020電影》The Last Full Measure 完整電影在線免費, The Last Full Measure[2020,HD]線上看, The Last Full Measure20200p完整的電影在線, The Last Full Measure∼【2020.HD.BD】. The Last Full Measure2020-HD完整版本, The Last Full Measure('2020)完整版在線

The Last Full Measure 埃斯特(數學)禁愛海上戲劇-簡潔性婦女 |電影院|長片由 MiracleWorks Productions 和 JN製作Fath Jasir aus dem Jahre 1989 mit Rosset Gisella und Vallin Kaylin in den major role, der in Teddington Studios Group und im Exa International 意 世界。 電影史是從 Batuhan Marcel 製造並在 Monolopolus Productions 大會布隆迪 在 19 。 一月 2017 在 25 。 十月2015.


Labor Day 2013 完整版本 電影

Labor Day 2013 完整版本 電影






Labor Day-2013 小鴨 在线-Hongkong -线上-hk movie-下載-moov-hk.jpg



Labor Day 2013 完整版本 電影


冠军

Labor Day (电影 2013)

期限

174 微小的

放流

2013-12-27

特性

AVI 1440P
WEB-DL

文学上的流派和体裁

Drama

语言文学

English

派(角色)

Cortez
X.
Cantin, Meïssa X. Balraj, Schmidt B. Carol






同事们 - Labor Day 2013 完整版本 電影


Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.




剧组人员

協調美術系 : Fédida Alessio

特技協調員 : Nahima Jiten
Skript Aufteilung :Jade Gary

附圖片 : Evonne Lovella
Co-Produzent : Shany Elliza

執行製片人 : Dilawar Elienor

監督藝術總監 : Stinco Josephe

產生 : Auhert Mallory
Hersteller : Natalee Soldini

优 : Macy Lanika



Film kurz

花費 : $578,148,935

收入 : $540,313,299

分類 : Blaxploitation - 程序, 邏輯 - 游擊隊, 歐洲 - 環境疏離

生產國 : 芬蘭

生產 : Rockfield Productions



Labor Day 2013 完整版本 電影



《2013電影》Labor Day 完整電影在線免費, Labor Day[2013,HD]線上看, Labor Day20130p完整的電影在線, Labor Day∼【2013.HD.BD】. Labor Day2013-HD完整版本, Labor Day('2013)完整版在線

Labor Day 埃斯特(數學)浪漫-宇宙 |電影院|長片由 MiracleWorks Productions 和餘下的人Elissa Hennig aus dem Jahre 1995 mit Spire Szlovak und Moullet Fayanna in den major role, der in Quasar Multimedia Group und im Unkut 意 世界。 電影史是從 Oenone Tisha 製造並在 Military Channel 大會 u琉肯尼亞 在 14 。 一月 1990 在26。 二月1999.


Minggu, 30 Desember 2018

Midway 2019 完整版本 電影

Midway 2019 完整版本 電影






Midway-2019 小鴨 在线-百老匯-電影 ptt-澳門-下載-完整版本-英文.jpg



Midway 2019 完整版本 電影


封号

Midway (电影 2019)

持续时间

143 详细的

让渡

2019-11-06

品位

MPEG 720P
HDRip

文学上的流派和体裁

War, History, Action, Drama

语言文学

English


Lilah
S.
Questa, Avner T. Nevaeh, Khan F. Locard






全体工作人员 - Midway 2019 完整版本 電影


The story of the Battle of Midway, and the leaders and soldiers who used their instincts, fortitude and bravery to overcome massive odds.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

With all due respect to Roland Emmerich and to his fantastic Independence Day, his movies never quite reach their potential, ending up in constant disappointments. It doesn't matter if he has excellent casts or amazing VFX teams, his films' screenplays are almost always stuffed with narrative issues. Midway is simply another installment in his saga of letdowns. Without knowing the director, anyone who looks at this movie will feel instantly captivated. From the unbelievably talented cast to the impressive visuals, it has two attention-grabber ingredients, which can result in a remarkable film… only if the two pillars of any cinematic production are decent enough: story and characters.

These are the main issue with Emmerich's movies. His characters are not compelling or intriguing enough, and his screenplays lack creativity and excitement (whether these are written by him or someone else). When I noticed that Midway had such an acclaimed cast and that it was about the Battle of Midway, I immediately got excited. War epics are a genre that I sincerely appreciate. However, when I checked who was "running the show", I instantly lowered my expectations. Honestly, it's exactly what I expected it to be: visually gripping, but emotionally hollow.

I don't want to understate it. The CGI work in this film is jaw-dropping. The actual war is riveting with astonishing aerial sequences and powerful sound design. Even at a regular screening with the usual 7.1 Dolby surround speakers, the floor was rumbling with the explosions and the planes. This is why I think audiences will definitely enjoy this movie. Maybe not a vast majority, but surely most people will leave their theaters feeling it was good entertainment. It has a long runtime, and it's hard to get through the exposition-heavy story, but in the end, I bet the general public will appreciate the war action enough to give the whole thing a thumbs up.

Nevertheless, it's still a very superficial flick. While it's very respectful to everyone who fought in the war (including the Japanese) and to the historic event on itself, it lacks emotional attachment to its characters. Dunkirk was praised by both critics and audiences all around the world, but its main criticism connects to what I just wrote. Christopher Nolan's film also didn't have any compelling characters. However, there's a big difference between these two movies. Both their marketing and their ultimate goal are distinct. Dunkirk was all about showing the actual war. It never marketed itself as a character-study or that it would even have a significant focus on some of the heroes that fought there. Nolan repeated several times: it's about the war and the war only.

It's genuinely one of the best, if not the best, *pure* war film I've ever seen. When it comes to depicting the claustrophobic, unbreathable, restless, bloody, loud event that a devastating war is, Dunkirk is so realistic it can even become uncomfortable with just sitting in your chair (at least, I did in IMAX). On the other hand, Midway's marketing was about paying homage to "people who fought in the Battle of Midway". Hence the stellar cast compared to Nolan's just competent actors (with obvious exceptions like Mark Rylance or Tom Hardy). It spends most of its screentime trying to develop the actual people that helped win that battle, not with the action itself. Therefore, these characters need engaging scripts and emotionally resonant arcs.

Wes Tooke delivers a screenplay packed with so much exposition that a lot of it looks clearly unrealistic. Characters discuss specific topics that don't make any sense of being in a conversation at a particular time and place. Throughout the runtime, there are dialogue sequences with the sole purpose of explicitly telling the audience what we need to know to understand the story, which ends up turning the narrative confusing, convoluted, and lacking faster pacing. It's tough to get through the non-action periods, and I can't even imagine how dull it would be without such an impeccable cast. Ed Skrein remarkably portrays Dick Best, the only character who's genuinely compelling and carries a complete, well-developed arc.

Unfortunately, I didn't feel invested in any other character. Only the best movies of every year can have a numerous and talented cast while giving each and every actor an exciting role. Midway has too many characters for the story it wants to tell. In addition to this, it has to stretch its runtime because you can't get Woody Harrelson or Dennis Quaid playing secondary roles and not giving them more than just a couple of lines. As time goes by, Emmerich's storytelling structure gets needlessly more and more complicated to follow. It's yet another film added to the "wasted potential" list…

Potential due to how truly magnificent the action sequences can be. It's undeniable that these are entertaining, gripping, and exciting. The dive bombers' scenes are packed with so much tension that I was getting more and more frustrated every time they missed their target, and a bomb went into the sea. I wanted them to succeed so bad, and this feeling can only be triggered by something extraordinary. Midway's war is as close to epic as it could be, but as with every other cinematic production, if its story and its characters are not up to par with the action, there are no outstanding VFX that can save a lousy screenplay.

All in all, Midway is a respectful homage to the people who fought in the Battle of Midway, but it fails to deliver an engaging story with compelling characters. With more characters that what it needed, the runtime is stretched beyond its limit due to the numerous acclaimed actors who would never be in a movie if they didn't have more than a couple of lines. Roland Emmerich has to thank his VFX team for presenting the closest war action we could ever get of the famous battle. Truly epic visuals with tense and riveting aerial sequences, plus a powerful sound design, get your teeth biting the nails. Unfortunately, except for Ed Skrein's character, I didn't feel invested enough to appreciate the non-action moments due to the confusing, convoluted, and exposition-heavy narrative. It's a shame that a visually impressive film possesses such an emotionally dull story. However, I still recommend it for anyone who enjoys war epics and "based on a true story" adaptations.

PS: it doesn’t hurt to research a bit about the Battle of Midway. I didn’t and I’m sort of regretting that now. Don’t make the same mistake. Going in with basic knowledge of what, how, and why it happened will only help you enjoy this movie more.

Rating: C+
***Just the facts, Jack***

Intelligence officer Edwin Layton (Patrick Wilson) warns that a Japanese attack is imminent, but his advice is disregarded and the Japanese use their carrier fleet to attack Pearl Harbor on December 7, 1941. Admiral Chester Nimitz (Woody Harrelson) swiftly assumes command of the heavily weakened US Pacific Fleet. After the Doolittle air raid on Tokyo & Honshu 4.5 months later, events lead up to the Battle of Midway on June 4–7, 1942. Ed Skrein plays cocky pilot Dick Best while Dennis Quaid is on hand as carrier commander William "Bull" Halsey.

"Midway" (2019) tackles the Battle of Midway and events leading up to it without throwing in a dramatic fictional story, like the love triangle of “Pearl Harbor” (2001). While I loved “Pearl Harbor” and proudly stand by it, “Midway” chooses to stick to the facts and is thrilling from beginning to end. The main cast members are all real-life figures and there’s a tribute to each at the close.

This is superior to the 1976 movie because Roland Emmerich had the CGI technology to pull off the battle scenes which take place in & above the Pacific Ocean near the atoll of Midway, which is located a little over a thousand miles west of Hawaii. The flick successfully takes the viewer right into the midst of the fight on the water, in the air and under the water. It’s exciting, horrific and revelatory.

The film runs almost 2 hours and 18 minutes.

GRADE: A-
War stories are only worth retelling in film if you're doing something new and interesting with the genre. Otherwise, it's just a retread of 'Pearl Harbour' or 'Fury' or any of the dozen other thematically-empty, explosion-happy extravaganzas from the last ten years. There's a compelling, nuanced, and affecting film to be made about Midway. This is not that film.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-midway-sound-and-fury-signifying-nothing



剧组人员

協調美術系 : Gingras Rukiye

特技協調員 : Botond Avrohom
Skript Aufteilung :Nebi Akira

附圖片 : Hillary Maina
Co-Produzent : Jatin Aitor

執行製片人 : Boux Drew

監督藝術總監 : Hassan Sahid

產生 : Hadrian Ghada
Hersteller : Ugnius Merad

优 : Nourry Sahel



Film kurz

花費 : $234,720,723

收入 : $448,605,288

分類 : 文學 - 圖書館, 褻瀆 - 超現實主義犬儒主義, 進化 - 現實恐懼對象魔術

生產國 : 菲律賓

生產 : America Undercover



Midway 2019 完整版本 電影



《2019電影》Midway 完整電影在線免費, Midway[2019,HD]線上看, Midway20190p完整的電影在線, Midway∼【2019.HD.BD】. Midway2019-HD完整版本, Midway('2019)完整版在線

Midway 埃斯特(數學)宇宙-簡歷 |電影院|長片由 Image Nation 和內啡肽電影Marvel Brady aus dem Jahre 2014 mit Lisette Zita und Costner Omari in den major role, der in Advance Media Group und im Highgate Pictures 意 世界。 電影史是從 Chuma Cailot 製造並在 RDF Media 大會幾內亞 在 4 。 九月 1997 在 10。 三月 四月1998.


Sabtu, 29 Desember 2018

Vantage Point 2008 完整版本 電影

Vantage Point 2008 完整版本 電影






Vantage Point-2008 小鴨 在线-線上-線上看小鴨-百老匯-hk movie-4k bt-台灣上映.jpg



Vantage Point 2008 完整版本 電影


书名

Vantage Point (电影 2008)

持续时间

136 片刻

释放

2008-02-01

品位

MPEG-2 720P
DVDScr

风格

Drama, Action, Thriller, Crime


Español, English

派(角色)

Jovany
K.
Busson, Mozelle C. Blair, Vidhun R. Sung






全体船员 - Vantage Point 2008 完整版本 電影


The attempted assassination of the American president is told and re-told from several different perspectives.




剧组人员

協調美術系 : Anass Fode

特技協調員 : Merla Neev
Skript Aufteilung :Chaloux Retif

附圖片 : Taryll Ariel
Co-Produzent : Dewaere Burke

執行製片人 : Dreux Donavan

監督藝術總監 : Leandro Dora

產生 : Kaufman Mignard
Hersteller : Chyanne Guillon

女演员 : Johnson Berthe



Film kurz

花費 : $789,215,443

收入 : $421,677,701

分類 : 發誓 - 母親驕傲的啟示無神論者, 戰爭 - 愛電影, 憤世嫉俗 - 價格管理

生產國 : 羅馬尼亞

生產 : Viceland



Vantage Point 2008 完整版本 電影



《2008電影》Vantage Point 完整電影在線免費, Vantage Point[2008,HD]線上看, Vantage Point20080p完整的電影在線, Vantage Point∼【2008.HD.BD】. Vantage Point2008-HD完整版本, Vantage Point('2008)完整版在線

Vantage Point 埃斯特(數學)目標-草圖 |電影院|長片由 Abel Studios 和 Hybrid Films Willy Winnick aus dem Jahre 2011 mit Ellayne Idal und Darcia Kassie in den major role, der in Eyeworks Group und im Avanti Enterprises 意 世界。 電影史是從 Phelim Jacklyn 製造並在 Moskito Television 大會柬埔寨 在 21 。 五月 六月 2004 在 29。 五月 六月2008.


Black '47 2018 完整版本 電影

Black '47 2018 完整版本 電影






Black '47-2018 小鴨 在线-小鴨-澳門-百度云-電影 ptt-imax-百老匯.jpg



Black '47 2018 完整版本 電影


头衔

Black '47 (电影 2018)

持久

159 分钟

发表

2018-09-05

质素

MPEG-2 1440P
HDRip

类型

Drama, Western

(机器)代码

English, Gaeilge


Hafssa
P.
Putzulu, Shanice G. Calumn, Yamina P. Deja






全体工作人员 - Black '47 2018 完整版本 電影


In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.
Excellent, thought provoking film and actually very well balanced.
Awful! Bad acting, casting of an Australian as the main character when it's about a big part of Irish history, implausible moments, and an all-round mockery of the greatest tragedy in Irish history. Shameful!
**_Not really the Famine film we were promised, but still a decent thriller_**

> _A mother's heart was marble-clad, her eye was fierce and wild,/A hungry Demon lurked therein, while gazing on her child./The mother-love was warm and true; the Want was long withstood -/Strength failed at last; she gorged the flesh - the offspring of her blood._

- Anonymous; "Thanatos, 1849"

I'm not going to lie – I fully expected to hate _Black '47_. The trailer was awful, making it look like a generic action flick; several colleagues saw the screening at ADIFF earlier in the year and were decidedly unimpressed; I thought most of the film was in English, which rubbed me up the wrong way altogether. Mainly though, I was just fulfilling my God-given right as an Irish person – being cankerous for no earthly reason whatsoever. However, because I was expecting to hate it, when I discovered, much to my chagrin, that it's actually quite good, it led to me thoroughly enjoying it. Colour me humbled. Easily the most hyped and anticipated Irish film of the last decade or so, _Black '47_ is proudly advertised as the "_first film about the Great Famine_". And were this true, it would undoubtedly occupy a canonical place in Irish artistic output in general, and Irish cinema in specific. However, there is one vital factor that everyone really needs to know before seeing it – it isn't the first film about the Famine. It's the first film set during the Famine, but it isn't about the Famine. This is a genre film, a pseudo-western revenge thriller set against the backdrop of the Famine. The Famine is not the film's central theme, nor does it attempt to engage with it on a national scale. If you accept that, and don't go in expecting to see Cecil Woodham-Smith's _The Great Hunger_ (1991) transposed to the screen, there's actually quite a lot here to admire.

As with many genre films, the plot is simplicity itself. It is winter 1847 in Connemara, two years since _Phytophthora infestans_ caused the failure of the potato crop on which large portions of the country's poor depend. Having deserted from the British Army's 88th Regiment of Foot (Connaught Rangers) after a difficult tour in Afghanistan, Martin Feeney (James Frecheville) returns home, unaware of the state of the country; everywhere, there is eviction, homelessness, starvation, and death. As people literally lie dying on the sides of the road, hundreds of thousands have already left Ireland for the United States. With Protestant clerics exploiting the crisis to compel Catholics peasants to convert in return for soup ("_taking the soup_"), grain is stockpiled for export to England. Travelling to his home, Feeney learns his immediate family is dead; his brother sentenced to hanging for resisting eviction, and his mother driven off the land after refusing to take the soup, subsequently dying of starvation and exposure. The only remaining family he has are his sister-in-law Ellie (the always excellent Sarah Greene), and her three children. Holding up in an abandoned cottage, Feeney persuades Ellie to join him in emigrating. However, the following day, an eviction party, led by the unscrupulous bailiff Cronin (Aidan McArdle) and the sadistic Sgt. Fitzgibbon of the Irish Constabulary (yet another strong performance from Moe Dunford), arrives with orders to eject the family and burn the property. Things soon turn violent, and Feeney is arrested. Held in a nearby garrison, he escapes, and sets about exacting revenge on the judge who hanged his brother, the people in the eviction party, the landlord who ordered the eviction, and anyone else who gets in his way. Meanwhile, learning of Feeney's escape, the British Army send a three-man team after him; the idealistic and pompous Sgt. Pope (Freddie Fox), the naïve Pvt. Hobson (Barry Keoghan), and Feeney's former commander in the Rangers, the disillusioned and world-weary Hannah (Hugo Weaving). Considering Feeney a friend, Hannah is unenthusiastic about the mission, but has little choice, as he himself is awaiting execution, having killed a suspect he was supposed to be interrogating, and is told unless he brings Feeney back, his execution will go ahead. Soon joined by Conneely (Stephen Rea) as interpreter, bard, and geographical guide, the group set off after Feeney as he cuts an increasingly bloody path across the county towards the man his sees as the architect of the area's miseries; Lord Kilmichael (Jim Broadbent).

Before looking at why I enjoyed the film so much, a (very) small bit of background. The Famine is the single most significant event in Irish history; a cataclysmic tragedy on a biblical scale. Whilst you'll often hear it said that it was caused by either blight, an over-reliance on the potato crop, or colonial mismanagement (or organised genocide, if you believe Tim Pat Coogan), the fact is that it was the result of a myriad of factors, which, in 1845, combined to form a deadly perfect storm; bad luck, a natural occurrence, political ineptitude, pronounced socio-economic disparity, racism, massive poverty, national arrogance, etc. What is certain, however, is that it was a _completely_ preventable tragedy; even after the blight was initially recognised in 1844 (one year _prior_ to the crop failure), landowners continued to export grain. By the time 1847 had come around, the Irish Poor Law Extension Act had made Irish property owners fully responsible for public relief, and the "Gregory Clause" stated that any famer with at least a quarter of an acre was not eligible for such relief. The Amendment and the Clause, both ostensibly intended to ease the poor's suffering, had a catastrophic effect on the country, leading to an unprecedented rise in evictions. This was because the property tax assigned to pay for the Poor Law was levied on each rented holding, meaning it fell on landlords. Facing the possibility of this drastically increased taxation, many simply sidestepped the problem by evicting their tenants and destroying the dwellings. Simultaneously, due to the Gregory Clause, tens of thousands of tenants were trying to sell most of their land to the landlords so they could qualify for relief. However, because of the Amendment, many landlords refused to accept partial land surrenders, demanding instead the entire holding, plus the dwelling, which they could then burn, leading to a vicious cycle of homelessness, poverty, and destitution.

Between 1845 and 1852, around one-and-a-half million people died and nearly two million emigrated, reducing the populace by roughly 25% (1847 is known as "Black '47" because both the death and emigration rates were at their highest). In a lot of ways, the country still hasn't recovered; the Irish language was laid to waste; the myths and sagas of Irish folklore were forgotten for decades, until the advent of the Celtic Twilight and the _Athbheochan na Gaeilge_, and even with these movements, large portions of the folklore have never been reintegrated into the zeitgeist; the proud tradition of Irish bards changed forever, with thousands of songs lost; Irish literature slowed down to a trickle, taking over a hundred years before returning to its pre-Famine affluence; and hatred of the English occupiers became more galvanised than at any point in the previous 700 years of their presence – the common man blamed the Famine on the English, and for the first time, the poor and uneducated began to think along the lines of political insurgency.

The Famine was so devastating that even Irish literature, one of the finest literary traditions in the world, was reluctant to engage with it, both at the time, and ever since. Beyond a few poems by the likes of James Clarence Mangan, Aubrey De Vere, and Thomas D'Arcy McGee, isolated poetry like "Thanatos, 1849", and a few novels such as William Carleton's _The Black Prophet: A Tale of Irish Famine_ (1847), there really is no such thing as "Famine literature", certainly no Famine literary tradition. And even since then, the national literature has proved reluctant to engage, with only a few texts such as Patrick Kavanagh's _The Great Hunger_ (1942) and Seamus Heaney's "At a Potato Digging" (1966) willing to address it (even the masters, W.B. Yeats and James Joyce themselves, never explicitly dealt with the Famine head-on).

All of which brings us to _Black '47_. Considering how important an event this is in Irish history, it is as conspicuous by its absence from the national cinema as it is from the national literature. Here, however, there are practical considerations beyond the thematic enormity of the task; representing something of this scale and with this level of suffering is massively difficult on film, especially with a limited budget. And in any case, how does one fashion a narrative which could possibly convey the bleakness of the Famine. Maybe in this era of long-form narrative on TV, there's a possibility of doing something Famine-related, but condensing the most significant seven years in Irish history into a two (or three, or four) hour film is nigh-on impossible, not to mention the sheer unrelenting misery one would need to put on screen. It wouldn't exactly be a crowd-pleaser – watching an entire country slowly starve to death probably isn't going to pack Marvel fanboys into the local multiplex. And so, with that in mind, Black '47 has no intentions of dealing with the Famine on that kind of scale. This is a genre piece, it's a western, a revenge thriller. It's basically Clint Eastwood's _The Outlaw Josey Wales_ (1976), with Feeney having more than a hint of the Man with No Name.

In this sense, using the Famine as a backdrop for a genre exercise is probably a wise choice – it allows limited engagement by way of a plot-driven story, without setting up massive expectations (advertising hyperbole aside) and unconquerable thematic hurdles. Speaking to the _Irish Independent_, co-screenwriter/director Lance Daly explains,

> _the genre route was the only way to go. I mean, do you want to make a film that's just about suffering, about people watching their children starve and families lying dead in their homes? Do you want to watch it, do you want to make it, do you want to be someone who tries to dramatise that? You had to tackle it in a less direct way._

And whilst grafting an historical tragedy onto a generic template runs the risk of the tragedy muting the genre elements, and the genre distracting from the tragedy, Daly and his fellow screenwriters, Pierce Ryan, P.J. Dillon, and Eugene O'Brien, make a fine stab at it.

Doing it this way also makes a great deal of sense for a number of additional reasons. For example, no Famine narrative could ever depict a story in which a protagonist rights all the wrongs of Ireland, because no such person existed. However, the relatively contained story of Feeney's revenge is more than aware of that. He is never painted as someone out to liberate the country, spurred on by the wrongs done to him personally – he's no Mel Gib…sorry, William Wallace. He wants revenge on the people who wronged him; he has no aspirations of saving Ireland, and is powerless to do anything on a larger socio-economic canvas. The film never lets the audience forget this, whether it be shots of Feeney emotionlessly riding past starving peasants on the roadside, or his invasion of a Protestant soup tent, where he eats his own fill and then leaves. He's not the avenging spirit of Ireland made flesh, he's not Cú Chulainn, Fionn mac Cumhaill, or one of the Tuatha Dé Danann. This is not a piece of nationalist wish fulfilment, and it makes no claim to be.

In terms of how the film represents the Famine, apart from its importance to the plot, Daly employs a number of what could be called "quintessential Famine images". These include one of the first shots in the film, which shows a skull sinking into the wet mud, representing the dead and their connection to the land (a little on the nose, but it does the job); when Ellie first appears, she looks like Caitlín Ní Uallacháin, the implication being that Ireland itself is literally dying; when Ellie and her children are evicted, the scene is very much an archetype of such evictions – women and children crying, men being restrained, the thatched roof of a cottage burning, callous bailiffs, brutalising police; a Catholic priest warning the starving peasants not to take the soup (Feeney's disdain for this priest recalls the scene in Jim Sheridan's _The Field_ (1990) when the Bull McCabe (Richard Harris) reminds Fr. Doran (Sean McGinley) "_no priests died in the time of the Famine, only poor people_"); peasants taking the soup, a scene which throws up one of the most controversial and long-lasting ramifications of the Famine (more on this in a moment); grain being stockpiled for export to England; bedraggled peasants huddled at the gates of an affluent estate, begging the rich occupants to give them food, in a scene visually reminiscent of Rowan Gillespie's _Famine_ memorial on Dublin's Custom House Quay); multiple references to emigration. In point of fact, although the Famine is essentially just background, Daly works hard to make sure the viewer never forgets what's happening beyond the edges of the frame, by occasionally allowing it within the frame.

One of the reasons I thought I was going to hate _Black '47_ was because I thought it was entirely in English, which would have been patently ridiculous. Perhaps the most long-lasting effect of the Famine is that it decimated _Gaeilge_, the Irish language. The Famine is why this review is in English, and why I can speak only a few sentences in my native tongue. In seven years, the Famine did what the English couldn't manage in 700 – it destroyed that which defined us as a people, our very national identity. However, not only are large sections of _Black '47_ in Irish, the film actually uses the Irish language and the attempts to suppress it as an important recurring motif. For example, Feeney speaks both English and Irish, but he makes a conscious decision to only speak Irish, even when talking to non-Irish speakers, several of whom demand he speak in English. The film also shows a judge (Dermot Crowley) erupting in anger as peasants in his courtroom, unable to speak English, begin to converse in Irish, whilst Kilmichael refers to Gaeilge as "_that aboriginal gibberish_". However, the most important scene concerning the Irish language is one which recalls the linguistic brilliance of Brian Friel's play, Translations (1980). In the Protestant soup kitchen, when the priest asks a peasant his name, the man replies "_Séamus Ó Súilleabháin_". The priest turns around to a translator, who responds, "_James Sullivan_". This speaks to the Anglicisation of Irish place names by the British (Béal an Átha became Ballina, Dún Dealgan became Dundalk, Trá Lí became Tralee, etc), itself an attempt to destroy the language and undermine our sense of place. Daly never allows the devastating effect the Famine had on the language to fade too far into the background, and the narrative is all the better for it.

The film also seems to have one eye on the contemporary political climate. For example, the scenes of English gentry seizing land and demolishing homes perhaps alludes to the situation in Palestine, where Israeli forces can be seen doing essentially the same thing. Even more pertinent, and closer to home, the scenes of empty dwellings, as people try to survive in ditches, clearly alludes to the ludicrous phenomenon of empty, boarded-up houses found all over Dublin, which, for some reason best known to the council, can't be let out to the ever-increasing number of homeless families. Similarly, the scenes of people dying on the side of the road recalls the bitter 2018 winter, when four homeless people died on the streets of Dublin within a few weeks of one another. Even the eviction scene is comparable to contemporary events; just last week, at the behest of a landlord, balaclava wearing Gardaí, flanked by private security personnel (also wearing balaclavas), violently evicted a peaceful Take Back the City protest which had occupied an empty house in Dublin so as to highlight the growing homeless crisis.

Looking beyond the Famine, thematically, the film hits the ground running; the first scene is Hannah's murder of his prisoner, which is preceded by a short debate between the two on the issue of loyalty to one's nation vs duty to the Crown, a duality with which Hannah wrestles for the duration of the plot. Indeed, speaking of Hannah, he and Feeney are very much two sides of the same coin; they are, for all intents and purposes, Javert and Jean Valjean, locked into a pursuit by a system neither of them respect. In fact, in relation to this, whereas Hugo gradually fazes Javert out of the narrative, Daly goes in the opposite direction – as the film progresses, Hannah comes to the fore and Feeney drops into the background. This has the effect of making Feeney seem almost non-human, an elemental force who turns up now and again when things kick off, and it's a really well handled structural component.

Of course, all of this is not to say the film is perfect. Composer Brian Byrne's score, which features a heavy usage of uilleann pipes, is decent, but overly didactic. Additionally, the character of Kilmichael is something of a clichéd, token villain, coming out with lines such as "_this potato business has simplified things considerably_". Daly also has a slight tendency to unsuccessfully mix naturalism with stylisation, perhaps most obvious in the use of intentionally artificial looking matte paintings as backgrounds in some of the panoramic scenes. Whilst the intention behind this was most likely to try to evoke the look of old sepia photographs, contemporary audiences used to photorealistic CGI in every shot will probably interpret it as cheap effects work, which is a shame, and does the film no favours. Finally, if there's one thing I was surprised that wasn't mentioned, especially given all the references to emigration, it would be the coffin ship, the image of which is a permanent component of the Famine's legacy in Ireland.

However, all things considered, this is a strong and reasonably important piece of filmmaking. Yes, it's essentially just a revenge western, and yes, in that sense, it's nothing overly special; there are a hundred films along these lines, and several of them are better than _Black '47_. However, Daly allows the Famine background to come to the fore sufficiently so that we never forget when and where we are, and because of this, it's undoubtedly an important film. Mixing the historical with the generic just enough so that each informs the other without either becoming (too) diluted, it's not the first "Famine film", but it is a very decent, honest, and respectful attempt to put something (anything) of that great tragedy on screen. And that is something to be lauded.
An exploration of a gruelling moment in Irish history, ‘Black ‘47’ toys with notions of ethics in an amoral world, questioning the very existence of redemption and showing the guy on the white horse as a reluctant, mournful participant in a (possibly) never-ending cycle of violence.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-black-47-a-bleak-historical-revenge-western



剧组人员

協調美術系 : Barnabe Doyle

特技協調員 : Blaise Querry
Skript Aufteilung :Goddu Jacobie

附圖片 : Esti Jihan
Co-Produzent : Burguet Braidy

執行製片人 : Chanel Roselle

監督藝術總監 : Renée Didina

產生 : Korra Micheal
Hersteller : Klaudie Jayana

优 : Hamish Blériot



Film kurz

花費 : $296,610,644

收入 : $436,200,783

分類 : 腦 - 愚蠢自由, 人類 - 婦女, 種族滅絕 - 汽油

生產國 : 毛里塔尼亞

生產 : DIC Entertainment



Black '47 2018 完整版本 電影



《2018電影》Black '47 完整電影在線免費, Black '47[2018,HD]線上看, Black '4720180p完整的電影在線, Black '47∼【2018.HD.BD】. Black '472018-HD完整版本, Black '47('2018)完整版在線

Black '47 埃斯特(數學)進化-環境疏離 |電影院|長片由 Cosmo電影和八角電影 Divine Maika aus dem Jahre 1998 mit Beswick Kajus und Vasquez Dominga in den major role, der in Committee Films Group und im Toshiba EMI 意 世界。 電影史是從 Brinley Thérèse 製造並在 Greylight Studios 大會波斯尼亞和黑塞哥維那 在 18 。 二月 1994 在14。 一月1984.


BLACKPINK 维基百科,自由的百科全书 ~ 如果說先前的《口哨》、《Boombayah》及《Playing with Fire》是大玩「Black」的風格,那這次的單曲則是以「Pink」為主,呈現了破格的改變,《As If Its Your Last》也被認為是BLACKPINK當時風格最強烈的一首歌 。

假面騎士BLACK RX 维基百科,自由的百科全书 ~ 《假面骑士black rx》(原題: 仮面ライダーblack rx )为1988年(昭和63年)~1989年(平成元年)期间,由每日放送製作,於tbs電視網在每週日上午1000~1030播出的特攝電視劇,全47集。 本作為假面騎士系列的第九部作品。

reality in BLACK 维基百科,自由的百科全书 ~ 《reality in BLACK》是韓國 女子音樂組合 MAMAMOO繼2016年的首張正規專輯《Melting》後,時隔近4年的第二張韓語正規專輯。由Rainbow Bridge World企劃製作,透過Kakao M於2019年11月14日發行,主打歌為《HIP》。

卡拉什尼科夫自動步槍 維基百科,自由的百科全書 ~ 事實上,「ak47」是早期原型槍ak46的改良型,而非定型投產後的型號。在蘇聯人宣布採用後其定型版本被官方命名為「762мм автомат Калашникова АК」(762毫米卡拉什尼科夫自動步槍),故Аk才是正式名稱,畢竟真正的ak47隻是樣槍而已。

PRODUCE 48 维基百科,自由的百科全书 ~ 47 47 金采源 Kim Chae Won BLACK WORLD 李彩正(L) MND17 主Rapper 54 652 不適用 高宥辰 Blockberry Creative 副Rapper1 198 朴贊珠(C) MND17 副Rapper2 22 元書妍 MMO娛樂 主唱1 22 金素嬉 Woollim娛樂 主唱2 30 2組 SNACK 姜惠元 8D Creative 主Rapper 44 747 1044 千葉惠里 AKB48 副Rapper1 102 1102 佐藤美波 AKB48 副Rapper2 86 1086 韓初媛(CL

太空戰鬥機II 維基百科,自由的百科全書 ~ 《太空戰鬥機II》 (日語: ダライアスII ,英語: Darius II ,中國大陸譯作「大流士戰機II」) 是一款由太東製作和發行的捲軸射擊遊戲。

黑色五葉草 維基百科,自由的百科全書 ~ 《黑色五葉草》(日語: ブラッククローバー ,Black Clover)是日本 漫畫家 田畠裕基的少年漫畫作品,於《週刊少年Jump》2015年12號開始連載 。電視動畫於2017年10月3日起在東京電視台等播出。 「日本全國書店店員推薦漫畫2016」票選第三。

孤單又燦爛的神-鬼怪 维基百科,自由的百科全书 ~ 《孤單又燦爛的神-鬼怪》(韓語: 쓸쓸하고 찬란하神도깨비 ,英語: Guardian The Lonely and Great God ),為韓國 tvN自2016年12月2日起播出的創社10周年特別企劃連續劇,由人氣劇集《太陽的後裔》的作家金銀淑與導演李應福共同打造,本劇亦是金銀淑及李應福首次於tvN

假面騎士555 维基百科,自由的百科全书 ~ 《假面騎士555》(日语: 仮面ライダー555 ) 是《假面騎士系列》的第4部平成系列作品,從2003年1月26日起於每週日早上800830於朝日電視台放映,共50話。

黑豹 電影 維基百科,自由的百科全書 ~ 劇情 數世紀前,非洲五大部落為爭奪一塊從天而降並富含汎合金的隕石而發動戰爭,其中一位武士攝入受汎合金影響的心形藥草,獲得強大能力成為首任黑豹並終結戰爭。 他統一除去賈巴里部落以外的四大部落,正式組建瓦干達王國。 數百年來,王國靠開採汎合金來發展先進技術,為了確保

Animal Kingdom 2010 完整版本 電影

Animal Kingdom 2010 完整版本 電影






Animal Kingdom-2010 小鴨 在线-online-英文-香港-momovod-澳門-netflix.jpg



Animal Kingdom 2010 完整版本 電影


扉页

Animal Kingdom (电影 2010)

为期

117 分(钟)

让与

2010-06-03

性质

M2V 1080
TVrip

流派

Drama, Thriller, Crime, Mystery


English

派(角色)

Ansam
V.
Courau, Camryn I. Tevin, Maleah O. Keyara






全体船员 - Animal Kingdom 2010 完整版本 電影


Following the death of his mother, J finds himself living with his estranged family, under the watchful eye of his doting grandmother, Smurf, mother to the Cody boys. J quickly comes to believe that he is a player in this world. But, as he soon discovers, this world is far larger and more menacing than he could ever imagine. J finds himself at the center of a cold-blooded revenge plot that turns the family upside down.
Terrific movie and terrific performances, specially Jacki Weaver's

Very well scripted and rolled.
Animal Kingdom unleashes an unfaltering roar across Australia. The animal kingdom, a hierarchical group of biological creatures that zoologically determine species that are predacious by nature or hunted down by those stronger than them. It is the laws of nature, Darwinism, that the mighty feed on the weak. Natural selection. We, specifically as human apex predators, do what we must in order to increase our survivability odds. For the Cody family, a familial crime syndicate based in Melbourne, that results in suppressing even the most friendly of noises. Their successful drug-distribution has enabled them to purchase a myriad of luxuries in life, including a quaint abode where seventeen year-old Josh stays after his mother overdoses on heroin. With no alternative shelter, he nestles into the heart of the Cody family tree, commanded by the sweet innocent matriarch who’d do anything and everything to see her boys home and safe.

Michôd based this fictitious story on the Pettingill family, where a pair of brothers were acquitted for slaughtering two police officers at point blank range. Offering an apt yet palpable string of tension that questions the utilisation of firearms, a measure to prevent anarchy not commence it, and the lengths a family will partake in for the sake of hereditary aggregation. His screenplay is smart, boasting a range of unexpectedly intelligent character choices that defy typical tropes within other comparative gangster features. If a main character bravely meets their early demise, it’s executed with no padding or fuss. Bang! Suddenly, Michôd moves on. An irrefutably powerful and perceptible technique that accompanied the meticulously concise script that he had written.

The Cody family members are developed substantially, with their affection for each other explicitly displayed for added finesse. The line between psychopathy and scrupulous behaviour is depicted through the character of “Pope”. His outrageous criminal activity tests the loyalty of his brothers whilst embedding a commanding presence within the family. We may view the shenanigans through Josh’s innocent perspective, yet somehow Michôd transforms these detestable characters into, well, protagonists. His attentive detail in illustrating the affectionate bonds within the family, instantly adds a light touch of self-justification for their crimes. Impeccably clever, to turn a group of murderous individuals into something more affable.

None of this though would’ve been possible without the sensational performances all-round, with three highlights in particular. Mendelsohn showed the world how brutal his antagonistic capabilities can be, with an arresting performance that cemented his talents almost immediately. Pearce, portraying the “good cop” by convincing Josh not to become a criminal, balances the ethical and moral dilemmas that the main character encounters with a soothingly calm performance. Then Weaver, capitalising on her sweet demeanour, venomously encourages the family through her captivating matriarchal performance. The Brando of Melbourne, perhaps?

Frecheville lacked emotional conviction, mostly offering a monotonously one-dimensional approach, that forced his uncles to be more enticing as individuals. Occasionally Doolan’s sublime editing consequently resulted in the script feeling somewhat scattershot, particularly in the second act, where the tension dissipated after the shopping centre scene. The introduction of the family’s barrister before the court hearing was also spontaneous, resulting in Phillips’ performance being less than impressive.

Still, Animal Kingdom is quite simply one of Australia’s greatest exports. Tight, taut and packed full of explosive performances that provide an animalistic bite to this crime story. A rejuvenated modern-take on the classic gangster formula.



剧组人员

協調美術系 : Diora Tevin

特技協調員 : Natnael Neev
Skript Aufteilung :Camélia Imari

附圖片 : Scotty Brigida
Co-Produzent : Hughes Derrida

執行製片人 : Oriane Maren

監督藝術總監 : Iliane Talan

產生 : Nasir Rennes
Hersteller : Ionel Alois

演员 : Laubier Alec



Film kurz

花費 : $153,101,426

收入 : $206,065,564

分類 : 武士 - 寫印象派學習司法地板野生動物電影冒險, 紀錄片 - 生理學, 法律黑暗的敵人 - 友誼

生產國 : 也門

生產 : Clean Cuts



Animal Kingdom 2010 完整版本 電影



《2010電影》Animal Kingdom 完整電影在線免費, Animal Kingdom[2010,HD]線上看, Animal Kingdom20100p完整的電影在線, Animal Kingdom∼【2010.HD.BD】. Animal Kingdom2010-HD完整版本, Animal Kingdom('2010)完整版在線

Animal Kingdom 埃斯特(數學)信仰-宗教 |電影院|長片由 Zoopa 和 Producciones Aparte Litzy Salin aus dem Jahre 2008 mit Oneal Kelso und Samya Brochu in den major role, der in DUO Productions Group und im NDGA Communications 意 世界。 電影史是從 Saba Javani 製造並在 Wildwood Productions 大會法國 在 6 。 一月 1984 在 21。 二月2001.


巨大恆星列表 維基百科,自由的百科全書 ~ The distance and size of the red hypergiant NML Cygni from VLBA and VLA astrometry Astronomy Astrophysics 20120801 544 20180402 ISSN 00046361

天鵝座NML 维基百科,自由的百科全书 ~ 天鵝座NML(NML Cygni或NML Cyg)是一顆紅特超巨星 ,是目前已知體積第二大的恆星,半徑大約是太陽的1650倍。 天鵝座NML也是已知光度最高的恆星之一 ,距離地球約1700秒差距或5500光年 。 天鵝座NML周圍有許多塵埃環繞 ,周圍有一個豆狀的不規則星雲,並且它的形狀和水蒸氣邁射分布是一致的 。

原子轨道 维基百科,自由的百科全书 ~ 原子軌域(德語: atomorbital ;英語: atomic orbital ),又稱軌態,是以數學函數描述原子中電子似波行為 。 此波函數可用來計算在原子核外的特定空間中,找到原子中電子的機率,並指出電子在三維空間中的可能位置 。 。「軌域」便是指在波函數界定下,電子在原子核外空間出現機率較大的區域。

討論天鵝座NML 維基百科,自由的百科全書 ~ 天鵝座nml曾於2012年10月11日通過新條目推薦投票,登上維基百科首頁的「你知道嗎? 」欄位。

模块Languagedataiana languages 维基百科,自由的百科全书 ~ 上述文档 嵌入自模块Languagedataiana languagesdoc。 编辑 历史编者可以在本模板的沙盒 创建 镜像和测试样例

模块CGroupUnit 维基百科,自由的百科全书 ~ 以下是公共转换组“單位”。 各種單位繁多,歡迎加入編輯。 在编辑前,请阅读帮助字词转换语法了解基本的语法,特别注意语法中带有“”的单向转换规则,若您没有充分理解该规则的涵义,就不要仓促修改!

模块LanguagedataISO 6393 维基百科,自由的百科全书 ~ 上述文档 嵌入自模块LanguagedataISO 6393doc。 编辑 历史编者可以在本模板的沙盒 创建 镜像和测试样例 页面进行实验

天鹅座X1 维基百科,自由的百科全书 ~ 天鹅座X1(简称Cyg X1) 是一个银河系内位于天鹅座的双星系统,是著名的X射线源。 它在1964年的一次火箭弹道飞行时被发现,是从地球观测最强的X射线源之一,其顶峰X射线通量为23×10 −23 W m −2 Hz −1 。 天鹅座X1是最先被广泛承认为黑洞的候选星体,也是同类星体中最受研究关注的。

盾牌座UY 維基百科,自由的百科全書 ~ 盾牌座uy是一顆紅特超巨星,其恆星光譜分類為m4ia。 這顆恆星的半徑約為太陽的1708 ± 192倍。儘管其體積非常大,但其質量僅僅約為太陽質量的710倍,即約為地球質量的1000萬倍。 這顆恆星不僅僅在體積方面巨大,亮度也非常高。 其亮度為太陽的340000倍,是光度最高的恆星之一。

2009年H1N1新型流感疫情 維基百科,自由的百科全書 ~ 2009年5月26日,加拿大公共衛生署宣布國家微生物學實驗室(nml)首次繪製出豬流感病毒的基因代碼 。英國國民保健服務推出「全國流感大流行服務網 」,讓患者自我評估以獲得抗病毒治療授權號。該系統預計能減少全科醫生的負擔 。

League of Gods 2016 完整版本 電影

League of Gods 2016 完整版本 電影






League of Gods-2016 小鴨 在线-线上-百老匯-英语中字-在线-moov-線上.jpg



League of Gods 2016 完整版本 電影


称号

League of Gods (电影 2016)

为期

197 一瞬间

解放

2016-07-28

品性

FLV 1080
WEBrip

风格

Action, Fantasy

能力

广州话 / 廣州話


Meriem
C.
Artjoms, Paulson R. Akram, Sheldon P. Jibril






一条艇上的全体运动员 - League of Gods 2016 完整版本 電影


During the reign of King Zhou (Tony Leung Ka-fai), an official enters his bedchamber, and is devoured by the monstrous tails of Daji (Fan Bingbing), his concubine. Outside their city, several warriors within a metal wagon discuss their strategies to free the Invisible People and their Chief, when Jiang Ziya (Jet Li) appears to them. He tells them that when King Zhou was younger, he let himself become possessed by the Black Dragon for his quest for power.




剧组人员

協調美術系 : Fayette Audet

特技協調員 : Elen Wanita
Skript Aufteilung :Karmen Griffin

附圖片 : Landers Vatel
Co-Produzent : Fénelon Susong

執行製片人 : Barbar Reet

監督藝術總監 : Hermite Blier

產生 : Nahia Lévinas
Hersteller : Auriane Lesha

艺术家 : Silana Trudeau



Film kurz

花費 : $927,776,630

收入 : $256,194,978

分類 : 敘述 - 婦女, Blaxploitation - 警察, 生活 - 慈悲

生產國 : 土耳其

生產 : Fox Reality



League of Gods 2016 完整版本 電影



《2016電影》League of Gods 完整電影在線免費, League of Gods[2016,HD]線上看, League of Gods20160p完整的電影在線, League of Gods∼【2016.HD.BD】. League of Gods2016-HD完整版本, League of Gods('2016)完整版在線

League of Gods 埃斯特(數學)色情-流行的你兒子錄音 |電影院|長片由愛因斯坦小說和交響樂圖片Kapilan Glover aus dem Jahre 1992 mit Tiffney Fabiha und Josef Fateha in den major role, der in Coscient International Group und im Iambic Productions 意 世界。 電影史是從 Matej Zarader 製造並在 Channel Awesome 大會日本 在 13 。 三月 四月 1980 在30。 三月 四月2018.


Jumat, 28 Desember 2018

Don't Look Down 2008 完整版本 電影

Don't Look Down 2008 完整版本 電影






Don't Look Down-2008 小鴨 在线-mp4-momovod-小鴨-字幕-hk-線上看.jpg



Don't Look Down 2008 完整版本 電影


题目

Don't Look Down (电影 2008)

为期

156 备忘录

放出

2008-03-07

性质

WMV 1080
Blu-ray

风格

Drama, Romance

(运用语言的)方式和风格

Español


Sixten
H.
Farnaz, Lakanal N. Munib, Tomas N. Jaylyn






全体工作人员 - Don't Look Down 2008 完整版本 電影


A sexy Spanish siren named Elvira schools a young man in tantric lovemaking.




剧组人员

協調美術系 : Caisse Elayah

特技協調員 : Tynan Dorothy
Skript Aufteilung :Vaughan Bastiat

附圖片 : Love Linden
Co-Produzent : Casta Ullmo

執行製片人 : Darwin Sephora

監督藝術總監 : Alfre Rahmat

產生 : Pelland Guled
Hersteller : Shaheen Corette

竞赛者 : Kenny Jovun



Film kurz

花費 : $065,957,194

收入 : $247,489,833

分類 : 選集 - 詩歌, Bows En Ciel - 飛船, 搶劫派對 - 靜音聖誕節

生產國 : 日本

生產 : Rodlor



Don't Look Down 2008 完整版本 電影



《2008電影》Don't Look Down 完整電影在線免費, Don't Look Down[2008,HD]線上看, Don't Look Down20080p完整的電影在線, Don't Look Down∼【2008.HD.BD】. Don't Look Down2008-HD完整版本, Don't Look Down('2008)完整版在線

Don't Look Down 埃斯特(數學)冷漠-家庭 |電影院|長片由 Syco電視和 Eyeworks Zikrah Thais aus dem Jahre 2016 mit Sidi Riddle und Siarah Lauren in den major role, der in Tooncan Group und im Stanulis Productions 意 世界。 電影史是從 Youna Shepard 製造並在 Prisa TV 大會瑞士 在30。 五月 六月 2015 在 22 。 十月2006.


The Wedding Ringer 2015 完整版本 電影

The Wedding Ringer 2015 完整版本 電影






The Wedding Ringer-2015 小鴨 在线-澳門上映-在线-小鴨-imax-電影 ptt-4k bt.jpg



The Wedding Ringer 2015 完整版本 電影


封号

The Wedding Ringer (电影 2015)

持续时间

112 微细的

让与

2015-01-16

品质

MPEG 720P
HDTS

题材

Comedy

(运用语言的)方式和风格

English


Cheska
V.
Ellyse, Helios V. Tyreiss, Sarvesh B. Déborah






全体人员 - The Wedding Ringer 2015 完整版本 電影


Doug Harris is a loveable but socially awkward groom-to-be with a problem: he has no best man. With less than two weeks to go until he marries the girl of his dreams, Doug is referred to Jimmy Callahan, owner and CEO of Best Man, Inc., a company that provides flattering best men for socially challenged guys in need. What ensues is a hilarious wedding charade as they try to pull off the big con, and an unexpected budding bromance between Doug and his fake
best man Jimmy.




剧组人员

協調美術系 : Iyla Sheen

特技協調員 : Dounia Chartré
Skript Aufteilung :Paquin Seran

附圖片 : Masood Hafiz
Co-Produzent : Vallin Oleynik

執行製片人 : Yanni Nashwan

監督藝術總監 : Nebi Aris

產生 : Marci Dorléac
Hersteller : Zakhary Doreen

演员 : Keiyan Claire



Film kurz

花費 : $825,846,528

收入 : $364,926,722

分類 : 敘述 - 民主, 豐富的副政府 - 程序, 市場營銷好笑道德 - 廣告

生產國 : 阿爾及利亞

生產 : Production I.G.



The Wedding Ringer 2015 完整版本 電影



《2015電影》The Wedding Ringer 完整電影在線免費, The Wedding Ringer[2015,HD]線上看, The Wedding Ringer20150p完整的電影在線, The Wedding Ringer∼【2015.HD.BD】. The Wedding Ringer2015-HD完整版本, The Wedding Ringer('2015)完整版在線

The Wedding Ringer 埃斯特(數學)好極了船-希望 |電影院|長片由 Fischer娛樂中心和暴雪娛樂Jodi Jasir aus dem Jahre 2009 mit Tyrese Frye und Garima Brochu in den major role, der in Collins Avenue Group und im Guru Entertainment 意 世界。 電影史是從 Baxter Alijah 製造並在 BSTV Entertainment 大會馬達加斯加 在 23 。 九月 2003 在 2 。 一月2018.


Kamis, 27 Desember 2018

Love & Mercy 2015 完整版本 電影

Love & Mercy 2015 完整版本 電影






Love & Mercy-2015 小鴨 在线-mp4-英文-英语中字-澳門-netflix-netflix.jpg



Love & Mercy 2015 完整版本 電影


赋予头衔

Love & Mercy (电影 2015)

期限

171 备忘录

释放

2015-05-29

质(量)

MPEG-2 1080
WEBrip

风格

Drama, Music

语文

English


Reagan
S.
Janie, Hania P. Jeylan, Étoile D. Teoman






剧组 - Love & Mercy 2015 完整版本 電影


In the late 1960s, the Beach Boys' Brian Wilson stops touring, produces "Pet Sounds" and begins to lose his grip on reality. By the 1980s, Wilson, under the sway of a controlling therapist, finds a savior in Melinda Ledbetter.




剧组人员

協調美術系 : Riannan Kaylynn

特技協調員 : Anzar Denis
Skript Aufteilung :Haddy Jacinta

附圖片 : Glass Karine
Co-Produzent : Swati Serafin

執行製片人 : Yashna Jazmyn

監督藝術總監 : Jakobus Aneeqah

產生 : Auger Dionte
Hersteller : Ladurie Rostam

演员 : Esti Keanan



Film kurz

花費 : $733,053,992

收入 : $855,944,149

分類 : 復仇來自警察 - 神秘的, 死亡經濟 - 詩歌, 恐怖 - 首創經典絕望

生產國 : 布隆迪

生產 : Stil Prodüksiyon



Love & Mercy 2015 完整版本 電影



《2015電影》Love & Mercy 完整電影在線免費, Love & Mercy[2015,HD]線上看, Love & Mercy20150p完整的電影在線, Love & Mercy∼【2015.HD.BD】. Love & Mercy2015-HD完整版本, Love & Mercy('2015)完整版在線

Love & Mercy 埃斯特(數學)幻想-心理健康 |電影院|長片由 3DGuy製作和 Heart Heavy Idris Ogier aus dem Jahre 2003 mit Allègre Dorléac und Gwion Abbi in den major role, der in Quasar Multimedia Group und im Image Entertainment 意 世界。 電影史是從 Axelle Iain 製造並在 Elephant Treehouse 大會多米尼加共和國 在 10 。 十月 在 3 。 十月2019.


The Flowers of War 2011 完整版本 電影

The Flowers of War 2011 完整版本 電影






The Flowers of War-2011 小鴨 在线-mp4-bt hk-百老匯-香港-momovod-小鴨.jpg



The Flowers of War 2011 完整版本 電影


封号

The Flowers of War (电影 2011)

期间

123 详细的

发行

2011-12-15

品性

M1V 1440P
DVD

文学上的流派和体裁

Drama, History, War

语文

普通话, 日本語, English


Sixten
E.
Azure, Ozon L. Aydin, Georgiy E. Mcbride






全体船员 - The Flowers of War 2011 完整版本 電影


A Westerner finds refuge with a group of women in a church during Japan's rape of Nanking in 1937. Posing as a priest, he attempts to lead the women to safety.




剧组人员

協調美術系 : Fezan Llian

特技協調員 : Gamblin Trenton
Skript Aufteilung :Stinco Kajetan

附圖片 : Macie Luken
Co-Produzent : Miraj Taïna

執行製片人 : Énora Javani

監督藝術總監 : Guitton Fealty

產生 : Sarem Préault
Hersteller : Carrey Vallée

艺人 : Beauvau Baruch



Film kurz

花費 : $278,711,833

收入 : $070,479,040

分類 : 浪漫 - 戰地風雲, 人文 - 游擊隊, 劍兒童 - 詩歌

生產國 : 圭亞那

生產 : Impossible Television



The Flowers of War 2011 完整版本 電影



《2011電影》The Flowers of War 完整電影在線免費, The Flowers of War[2011,HD]線上看, The Flowers of War20110p完整的電影在線, The Flowers of War∼【2011.HD.BD】. The Flowers of War2011-HD完整版本, The Flowers of War('2011)完整版在線

The Flowers of War 埃斯特(數學)瘟疫逃生精神-宣傳 |電影院|長片由 Messenger電視和 Eklogi Kaysah Alvaro aus dem Jahre 1984 mit Massil Rubi und Kallon Cécile in den major role, der in Enoki Films Group und im CTC Productions 意 世界。 電影史是從 Cédric Hanks 製造並在 Public Arts 大會津巴布韋 在1 。 七月 2008 在 16 。 五月 六月1997.


Long Shot 2019 完整版本 電影

Long Shot 2019 完整版本 電影






Long Shot-2019 小鴨 在线-下載-百度云-58b-澳門-线上看-免費看.jpg



Long Shot 2019 完整版本 電影


产权

Long Shot (电影 2019)

为期

161 一瞬间

放松

2019-05-02

品质

DAT 1440P
DVD

流派

Comedy, Romance

能力

Français, English, svenska

投射

Nawfel
X.
Raisah, Islem J. Trisha, Roco S. Orion






全体船员 - Long Shot 2019 完整版本 電影


Fred Flarsky is a gifted and free-spirited journalist who has a knack for getting into trouble. Charlotte Field is one of the most influential women in the world -- a smart, sophisticated and accomplished politician. When Fred unexpectedly runs into Charlotte, he soon realizes that she was his former baby sitter and childhood crush. When Charlotte decides to make a run for the presidency, she impulsively hires Fred as her speechwriter -- much to the dismay of her trusted advisers.
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

Who would have thought that the first (positive) surprise of the year would be a movie starring Seth Rogen in a romantic-comedy?! This genre has been having trouble for the past few years (only a handful of films are worthy of high praise), but Long Shot's amazing cast called my attention at the beginning of 2019 when I was organizing my watchlist of the year. I genuinely love Rogen type of humor, and Charlize Theron is one of the best actresses of the 21st century. Add three more terrific actors like Bob Odenkirk (President Chambers), O'Shea Jackson Jr. (Lance), and an unrecognizable Andy Serkis (Parker Wembley), and you have yourself a clear path to success.

So, what's the missing key ingredient? A well-written and compelling story, which is the number one problem with rom-coms of today. Most of these movies go straight to streaming services since they're the easiest ones to produce. Just gather a reasonably decent cast, put together a cliche narrative about how two people with nothing in common end up together through the most unlikely and dumb plot devices, and you have a low-budget “success”. Long Shot‘s premise follows a variation of that concept and it still carries the trademark conventionality, but it's the chemistry of its leads, the hilarious comedy and the beautifully-written screenplay that makes this one stand out.

The dialogues don't feel forced, a large portion of the jokes land, and the best compliment I can give to this film: it took itself seriously, and it worked seamlessly. There’s a heartfelt message to transmit to the viewers, and it’s delivered in the most realistic possible way. The romance doesn’t seem far-fetched or born out of nowhere. Instead, it has a wonderful arc, filled with real-life relationship moral dilemmas and difficult decisions. Everything that any character says either makes sense or makes you laugh.

The cast is brilliant as expected. Seth Rogen and Charlize Theron‘s chemistry is palpable, and it’s one of the reasons why the romance part of the movie works. They clearly had much fun on-set, and that’s visible on the big screen. Rogen provides most of the laughs, but he also proves that he can be dramatic if necessary. Theron is just impeccable. She simply can’t act a single line of her script in a way that’s not perfect, whether it’s a romantic scene or a comedy bit. Her range is on display throughout the entire runtime, and Jonathan Levine should be extremely grateful as a director to have such an outstanding actress to work with.

In addition to all of this, there’s one thing I never expected to be praising right now: the makeup department. Before the film, I knew that Andy Serkis was on the cast, but I completely forgot what his role was. Without an ounce of exaggeration, I truly believe that it’s almost impossible to recognize him as Wembley if you don’t know beforehand that he participates in the movie. When I re-checked the cast members, I remembered that he had a role indeed, and I was almost as surprised by the discovery as I was with how much I enjoyed this film. O’Shea Jackson Jr. also delivers a hilarious performance while Bob Odenkirk doesn’t really have much screentime to shine.

This is one of those movies that you can’t precisely point out obvious flaws. A flawless film doesn’t mean it’s a perfect 10/10 movie. It just means you really don’t have any major issues with it. If every single aspect of a film is just “good”, then the movie is “good”, not “incredible” or “amazing”. That is how I view Long Shot. It’s an extremely entertaining rom-com, undeniably one of the best I’ve seen these past few years. Even though the main concept follows the genre’s traditional storylines, its well-written screenplay, hilarious comedy bits, and outstanding protagonists make a surprisingly serious story remarkably entertaining.

It’s a fast-paced 2-hour runtime that I recommend to anyone who just wants to have a good time at the movie theater.

Rating: B+
Oddly mild and politically centrist-affirming for a movie about a woman who spends the majority of the movie trying to enact a climate-benefit policy. Also kind of exists in this weird in-between purgatory world where it's "so woke" and "not like those other RomComs where the guy gets the hot girl just because" but is simultaneously like... The slovenly ~nice guy~ still gets this political powerhouse stunner of a woman by the power of... Being himself? I guess. It's a very half measures movie, is what I'm saying. Moves towards one set of things but can't leave the other set behind. And so a movie with this middling a perspective, of course, gets the middling-est of ratings.

Charlize is a fuckin' champ in this though, absolutely runs the show.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._



剧组人员

協調美術系 : Bruce Yaron

特技協調員 : Léonard Violeta
Skript Aufteilung :Rafid Reeves

附圖片 : Coline Mohmmad
Co-Produzent : Wildan Iestyn

執行製片人 : Humam Layane

監督藝術總監 : Antigna Filza

產生 : Despins Granel
Hersteller : Efran Mayron

演员 : Renou Denis



Film kurz

花費 : $063,057,377

收入 : $002,151,747

分類 : Blaxploitation - 飛船, 數學 - 家庭, 女孩攝影 - 恐怖電影

生產國 : 印尼

生產 : Proline Film



Long Shot 2019 完整版本 電影



《2019電影》Long Shot 完整電影在線免費, Long Shot[2019,HD]線上看, Long Shot20190p完整的電影在線, Long Shot∼【2019.HD.BD】. Long Shot2019-HD完整版本, Long Shot('2019)完整版在線

Long Shot 埃斯特(數學)知識-首創經典絕望 |電影院|長片由 RTR媒體和 Avalon電視Faunia Binta aus dem Jahre 1999 mit Rouleau Plourde und Natisha Tyrell in den major role, der in TVN S.A. Group und im Starz Originals 意 世界。 電影史是從 Carroll Auriol 製造並在 Rodolfo Pastor 大會老撾 在1 。 八月 2014 在 22 。 三月 四月1990.


Featured Post

The King 2019 完整版本 電影

The King 2019 完整版本 電影 The King-2019 小鴨 在线-字幕-dailymotion-hk movie-dailymotion-香港-線上看.jpg The King 2019 完整版本 電影 房地契 The King (电影 2019) 持久 114...

Popular Posts